🟨 10 Curiosities about the movie "Saturday Night Fever" (1977) that you didn't know!

"Saturday Night Fever" is a pop culture icon that marked a generation with its vibrant soundtrack and electrifying dance moves. Released in 1977, the film not only catapulted John Travolta to stardom but also solidified the disco style as a dominant force in music and fashion of the time.

The movie, which tells the story of Tony Manero, a young man from Brooklyn who finds escape and purpose on the dance floor, is more than just a celebration of music; it is a cultural phenomenon that influenced how dance and music were represented in cinema. In this text, we will explore fascinating curiosities about "Saturday Night Fever", from behind-the-scenes production details to the lasting impacts it has had on the entertainment industry and popular culture.

Get ready for a time-traveling journey to the heart of the disco era!

1 - THE OPENING SCENE

The iconic opening scene of "Saturday Night Fever", in which Tony Manero walks through the streets of Brooklyn, was filmed over several days. Many of the sequences did not feature John Travolta but rather a stunt double. During filming, Travolta's girlfriend, Diana Hydley, passed away and he had to temporarily step away from the production.

2 - THE FILM WAS TO HAVE ANOTHER DIRECTOR

John Badham was actually a replacement director. Originally, the film was to be directed by John Avildsen, known for the huge success of "Rocky". Avildsen shared: "One day I was told, ‘John, I have good news and bad news: you’ve been nominated for an Oscar for Rocky and you’re out of this new project’", in a VH1 special.

John Travolta, also in the same special, explained: "He wanted my character to become that neighbor who helps everyone. That wasn’t what I had in mind. I was not happy with the direction the film was taking".

3 - THE SWEARING UPSET A LOT OF PEOPLE

Badham reveals that the film sparked many negative reactions among Hollywood’s more conservative audience. Even Paramount executives were shocked by the language and some scenes in the movie: "I was fired on the day of the premiere because an executive feared what I might do in the next film", he said.

4 - JOHN TRAVOLTA’S REAL MOTHER APPEARED IN THE MOVIE

Early in the film, John Travolta’s mother makes a special appearance. She is the woman in black, with white hair and dark glasses, who talks to Tony Manero in the paint shop. According to director John Badham, "She only had two lines, but she was treated with much more attention than Jack Nicholson".

Badham added, "We even sent a limousine to pick her up from home. We couldn’t have treated John Travolta’s mother any differently; she was extremely kind".

5 - TONY’S MOTHER WAS ORIGINALLY SUPPOSED TO HAVE ONLY ONE LINE

Flo Manero, Tony’s mother, played by Julie Bovasso, was originally only supposed to have one line in the movie: "Enough!" during the argument between the two siblings. However, the actress made several suggestions to expand the character’s interaction with the protagonist, and many of these ideas were accepted by the production team.

6 - COSTUMES WERE PUT TOGETHER ON A BUDGET

The film’s production budget was so low that there wasn’t even enough money for costumes. Many of the clothes were bought from stores in Brooklyn or borrowed from regulars at the 2001 Odyssey nightclub—the security guards’ uniforms, for instance, were the actual ones used at the venue.

7 - PROBLEMS WITH THE MAFIA

During filming, the producers ran into problems with the local mafia. The mobsters offered to provide security during the shoot, but the directors declined, stating they already had private security. The next night, a bonfire appeared in front of the nightclub. "Then the mobsters came back and said, ‘We heard there was a barbecue here last night.’ They demanded US$ 3,500, exactly the amount needed to avoid any room for complaints", Badham explained in an interview included in the movie’s DVD extras.

8 - FILMING THE SAME SCENE WITH AND WITHOUT SWEARING

Director John Badham knew it would be difficult to air the film on television due to the excessive swearing in the script. So, he requested that scenes with inappropriate language be filmed twice: once with the original dialogue and once with milder terms, creating a "TV version".

The actors initially resisted, arguing that they couldn’t change their acting or speech just to please television. However, the decisive argument was showing the profit potential if TV networks aired the film.

Badham noted, "Many of those scenes ended up better than the originals because the actors were more relaxed. Relaxation is key to a good performance".

9 – IMPROVISATIONS

Some improvisations were necessary to follow the script. Since they couldn’t film in a real hospital, the producers built a hospital setting inside the studio. Tony is taken there after a fight in a house garage.

The only significant expense was the colorful dance floor at 2001 Odyssey, which cost around US$ 15,000.

10 - JOHN TRAVOLTA’S FANS INVADED THE FILM SETS

One of the main challenges when filming in Brooklyn was dealing with the large number of John Travolta fans crowding the filming locations, often disrupting the shoot.

Often, thousands of fans, who already considered him a star of American TV, would shout for the actor. Set invasions were also frequent.

"Saturday Night Fever" is not just a milestone in 70s cinema but a testament to the creativity and resilience that defined the disco era. Through improvisations, unexpected challenges, and a wealth of behind-the-scenes trivia, the film became a cultural legend that transcended its time.

From the forced adaptation of the dialogues for a TV version to the notable presence of John Travolta’s mother in the cast, every detail contributed to the uniqueness of this masterpiece.

The story of Tony Manero, his unforgettable dance moves, and the iconic soundtrack continue to resonate and influence generations.

Reflecting on the trivia and behind-the-scenes moments, it’s impossible not to admire how the passion and talent of everyone involved helped create a film that not only captured the essence of an era but also cemented itself as an eternal icon in cinema history.